At the beginning of the 2000s, Maud Nycander made a film about the couple Eva and Johan, two young people who fell head over heels in love and had a child within a year of meeting. As Maud now comes back to them, they have been together for 25 years, have three more or less grown-up children and are in the midst of a separation. Through charming flashbacks to the turbulent years with small children, shortly after the turn of the millennium and swooping down in the current relationship in transformation, a unique portrayal of life’s great undertakings – life-long love – arises. But how do you go on with life without your better half? How will the kids react and can a separation be the only way for love to survive?

Newly single and ready to mingle, divorced men and women enter the Dolsing Village looking to date, cohabitate and find love again.

It will tell the story of three women who have nothing in common except working at the same workplace, and who hold on to each other to survive after the roles they assigned to themselves in their marriage are taken away from them.

Successful divorce lawyer Jack Sturgess discovers that his own marriage is falling apart and must juggle his domestic conflicts with his clients' problems.

Marianne, 44, has been living with the lawyer Gustaf in a conventional sexless marriage for way too long. She wants a separation, but Gustav settles for a trial separation. As Marianne indulges in being newly single, Gustaf is perplexed by the sudden turn of events and in his confusion makes a completely irrational career change: he quits his job to start writing poetry. Meanwhile, Marianne meets the artist Rodolfo, the complete opposite of Gustaf; intriguing, emotional, impulsive. And horny.

Mr. Oswal is a very rich, influential, domineering man who lives with his wife and two sons, Jayant and Ajay. Mr. Oswal convinces his elder son Jayant that he cannot marry the girl he loves, Chandra; he must marry the girl of his father's choice.

Boudewijn, David and Joris are three different men between the ages of 35 en 45. All the three men are in the middle of a divorce and they decide to take in in a luxury villa. The three men develop a close friendship and support each other with the individual separations, the strong emotions, their women, their quarrels, their children, money and the further issues of a divorced man. In addition, the typical male friendship stand central. Men who have a few words to understand each other, to give each other space, but also men who will tell each other the truth.

When Titus is not given a gift at his potential father-in-law's birthday party, his evasiveness is perceived by the girl's parents as a timid attempt to woo their daughter. Everything would be fine, but Tito, who is currently living in London, is waiting for his wife Marta in Lithuania. In order to get a secret divorce, Tito returns to Lithuania, but a meeting between Tito and Marta takes things in an unexpected direction.

Mr. Oswal (Om Shivpuri) is a very rich, influential, and domineering man, who lives with his wife (Sulochana) and two sons, namely Jayant (Girish Karnad) and Ajay (Vijayendra Ghatge). Mr. Oswal convinces his elder son, Jayant, that he cannot marry the girl he loves, Chandra (Sharmila Tagore), but must marry the girl of his choice. Jayant is disheartened, but agrees to marry the girl of his father's choice (Bindu). Ajay is disappointed with his brother's decision, as he too has fallen in love with Seema (Jasmine), the daughter of a college teacher (Satyen Kappu). Ajay does not listen to his dad, and elopes with Jasmine and marries her. They settle down, he takes on the job of a taxi-driver, and Seema works as a nurse in a hospital. One night Ajay sees Seema leaving their house with a man, and files for divorce, accusing her of infidelity. Seema is devastated. After the divorce, Ajay joins the army, and goes to war in Bangla Desh, who is with war against Pakistan. Back in the Oswal home...

She is absolutely sure she wants a divorce! He doesn’t agree, but doesn’t dare contradict. So they go for a divorce. They’d go to the end, if they weren’t stopped by a ridiculous incident... Why do people part? Where do feeling go in a stream of offences and claims? The film is a reflection about partings and relationships, where there is no good and bad, but people don’t hear each other, even though they are close.